WANN ves ae, S Zhe $e ES ee a AL LALAL LL 3/5 Se Sam | LLL ae Leas rig tl rr aXe eee SA) NUILIULALAL LALLY SA Dyer, Burn Stone, E. G. Bingham, as valedictorian. with Delbert Wright FLAP ERAT EE AU OE AE Ta iy Myra i. Mrs. McKey, the author and director for the artistic production, Triumph of Tomorrow.” “The Much honor EAE UD TE TU ma i TUIETETNIMTE TATHTRTETHU ETRE NIN ININI EON CURRAN CATR CHON(MINIWNNINIMOROR( NMR ROMO MONON OMMACMMRCMO NON INCNTRCRTRCRIOTEI RI RISIEIET SIE MM RO e ee ata ETRE MT MT us on to greater things. RT TATTTRT is due will ever urge TTTTT TUT Wright recited and Melba Douglas sang “America,” while the Spirit of Progress appeared in tableau. A recessional followed, completing the pageant—all actors marching through the audience singing. The inspiration of the pageant with its beautiful message of hope el TT HOU AR AD TET ae Z : £ Sire |ape, L | AAC LAY — 4 -* cctiaeniiiatiemiilll ‘ TUT TO { EIGHTY-TWO a ST SS sae SUPT Sai 5 ee Cottle, John Teuscher William and President Lewis W. Shurtliff, taking part in the dances and songs. President Shurtliff was received with great enthusiasm when he put his ax to one of his own trees, brought to the Orpheum stage for that purpose. | In interlude four, Yesterday, Georgia Tate, gives to Today, Irna Cram, the friendship of Progress, Will, Faith and Education, and Today listens to the voice of Tomorrow, Marjorie Johanson. The final scene showed the first graduation exercises of Weber in the new gymnasium CN Vv TTT es