Program people is coming portrayed, forth and followed casting by their Notes a march-like cloaks Orchestra section suggesting at his feet in token his captains 1st of their covenant No. 12 Samuel’s Prophesy: Concertmaster Kenneth Kuchler Asst. Concertmaster Norma Lee Madsen Florence B. Romney The Birth of Christ Narration: Helaman 14:2-6. Time: c. 6 B.C. This movement and the one following are two short tone poems ality Katherine Wm. of Samuel. One motive suggests the fact that after No. 13 Samuel’s Second Prophesy: he had Johanna Lee John Chatelain Elizabeth Hodson LaMar Barrus Anne J, Lambert his his dynamic declamaMessiah has an awe The Crucifixion Narration: Helaman 14:14-24. Time: c. 6 B.C. Here the two Samuel themes are developed in fugal entrances. prophetically of the destruction to occur on these (American) time of the Christ’s crucifixion in Jerusalem. At the climax is recapitulated. given The coda suggests Samuel’s disappearance. He speaks continents at the the Christ theme Felt Grant Hardy prophesies of Samuel the Lamanite concerning the birth and death of In both, two musical motives are used to portray the unique person- prophesies, he was never heard of again, and the other tory style. His prophesy concerning the birth of the quality with reference to a new star, signs and wonders. Peterson Radinger Francine based 2nd -_—-r on the Christ. VIOLINS Harold Wolf to preserve their liberty and their valiancy to God. VIOLINS LaVar Krantz Principal Percy Kalt Max Scheffler Patyra G. Astin Richard Dickson Marlene K. Nielsen Frances Darger Erma Groves No. by of 1952) in his Pulitzer prize winning THIRD SYMPHONY: an octagonal box spinning with croquet balls and steel marbles, a high pressure carbon dioxide tank with a release valve. Dorothy Trimble Karl Allred Art Peterson Robert W. James Carolyn Young “Yet in my flesh shall I pause) SOPRANOS Thelma Black Rosmarr This is the recapitulation And Burtenshaw Patricia Clyde Rosalie England Alyce Giles Dora Glazier Annette Hansen *Marsha Hoyt Karen Keller Margaret Kohler Evelyn Neff Nielson Hannah Oldroyd JoAnn Ottley 16 Postlude of the symphony’s choral text from Alma and Nephi: Yea, and every knee shall bow two main HORN Don Peterson Maurice Tueller Gaylen Hatton Anthony Thurber Leo R. Lambert TRUMPETS Wm. Sullivan Sheldon F. Hyde Grant Barraclough Keith Smith TROMBONES Lorn Steinberger PICCOLO Ted Wight TUBA OBOES Louis Booth Richard I. Rubinstein Gary Post BASS CLARINET Loel Hepworth BASSOONS Douglas Craig Grant Baker Maurice Peterson Choir Julia Ann No. FRENCH FLUTES Eugene Foster Ted Wight Ralph Gochnour CLARINETS Martin Zwick Dow Young Loel Hepworth a “hisser,” Narration: III Nephi 11:8-11. Time: 34 A.D. The major sections of the choir are sub-divided into four parts each, and sing an antiphonal vocalise of adoration. The movement closes with the words of Job applicable to the surviving Nephites who receive the incomparable (without John Russell CONTRA-BASSOON Maurice Peterson Marion Albiston Harold M. Gottfredson ' Marlin Baker TIMPANI Robert Lentz PERCUSSION Wm. R. Johnson Gerald Epperson Brand Niemann HARP Adine Bradley PIANO & CELESTE Ardean Watts ORGAN Alexander Schreiner PERSONNEL MANAGER Sheldon F. Hyde a “rotarion,” and No. 15 The Faithful Behold the Christ blessing of a visitation from the resurrected Savior: see God my redeemer.” (Job 19:26) Karen R. Post Patricia Butsikares Sally Peck, Principal Narration: III Nephi 8:5, 12. Time: c. 32-34 A.D. This short scherzo employs two unusual percussion instruments used first Dr. Ernst Toch (teacher of Dr. Gates at the University of Utah, Summer BASSES Audrey Bush, Principal Theron Reynolds Lloyd Murray James Loveless ENGLISH HORN Richard I. Rubinstein Lorna Hogenson Wm. Hogenson 14 Cataclysm CELLOS David Freed, Principal Joseph Clive Evelyn H. Loveless Robert A. Sansone Helen Riser Carol T. Edison Joseph Romney Marilyn F. Anderson John Loutensock VIOLAS V. FULFILLMENT Personnel themes with every tongue confess before Him. Praise to the Holy One of Israel. Praise the Lord Our God! (Mosiah 27:31, I Nephi 19:15 paraphrased) Michaelene Packer Jean Palmer Nina Paulson Carol Pulley Katherine Rex Karen Rutter Nancy Skeen Judith Strong Beverly Thomas ALTOS Ada Barlow Sylvia Berg *Yvonne Blaylock Personnel Clifta Bright Carolyn Broberg Naoma Davis Nancy Folsom Judy Johnson Charlene Johns Mary Ann Keeler Virginia Lutz Carolyn Merrill Evelyn Parry Kara Rowberry Margaret Shumway Beverly Simmons Patricia Tenney Leah Jean Tidwell Marcia Ward Colene Ware Jane Weaver Judith Weinzinger TENORS Richard Bear David Crockett Curtis Forsgren Douglas Gibbs Sherman Gibbs Ronald Lee Richard Linford L’Dean McCue Robert Merrill Jerold Ottley Charles Soper *John Thompson Robert Weddington Marvin Jenkins BASSES Hans Boettcher Elijah Cardon Gordon Carter Bruce Gibb Ron Hadley Max Hales George Jarvis Steven Jarvis Raymond Madsen Roger Miller Charles Naylor David Perry Lynn Poulter Blaine Quarnstrom James Rawles Richard Robbins Jim Scoresby Dee Tracy Vern Young *Section Leaders