TRANSIT HYPNOTIZED BY THE ROLL OF THE PRESSES, LAVOR WOOD, SPORTS EDITOR (RIGHT) AND BOB PETERSON, CARTOONIST, WATCH THE LAST EDITION OF THE OGDEN STANDARD EXAMINER BEING CUT, FOLDED AND COUNTED; AND PREPARATIONS MADE FOR THE SIGNPOST TO START ROLLING. ACTIVITY IN PRINTER'S INK MOST of the desperate looking people you see running around with pencils and notebooks and alert expressions are Signpost reporters working on assignments. Most of the temperamental screams you hear issuing from the top floor of the Moench Building come from page editors trying to make deadlines and getting "no cooperation." Most of the campus' midnight snacks are eaten in the Signpost EDITOR JEAN ANNE WATERSTRADT CRITICALLY SURVEYS THE "MAKE-UP" OF THE LAST ISSUE. BETWEEN COOKIES AND MALTS, DEE ANDERSON TAKES TIME TO DICTATE A FRONT PAGE SCOOP TO BONNIE CLAY. WINTER, 1943 EDITOR JEAN ANNE WATERSTRADT SETS GEORGE BROWER, LINOTYPE OPERATOR, STRAIGHT ON A FEW THINGS AS SIGNPOST BEGINS ITS JOURNEY FROM COPY TO FINAL EDITION. office and most of the campus' midnight oil is burned by the Signpost staff the week before each issue comes out. But it does come out as a result of Weber school spirit or the iron character of Editor Jean Anne Waterstradt. The Signpost is composed by students under the direction of Mr. Cluster M. Nilsson, faculty adviser, and printed on the Standard-Examiner presses. It is a well-organized publication with elastic qualities which suit it to the demands of a serious and sometimes "crackpot" student body. Besides keeping the students posted as to what is happening on and off the campus, it runs a column for the verbal outpourings of reformers, and affords an outlet for camera fiends and amateur cartoonists. BURNING THE MIDNIGHT OIL CALLS FOR A POT-LUCK REPAST AND HERE IS JEAN ANNE WATERSTRADT AND EVELYN WEIR INDULGING. BUSINESS MANAGER KEITH HOLBROOK'S OFFICE IS ADORNED WITH PICTURES WHICH HE RETRIEVES AFTER THE SIGNPOST GOES TO PRESS.