a aoe owenne b 4° * 4 Bf =e or ie 3 a oH pe * “ Ph seh es we ss = _ 3442- is- ti ay eS ee fr oi Sts ved . ; = . _ ~* \ eo mH > ' b Se ~~ a, ee ‘i ——. ~~ <gieien ; e 5 ; “ee reams, a. eae enon a = ed c so ? : — bes a eras Ss a eens, ™? = rs e a nian " re ee x I les arenes . . ee % Leet Se eee | P -s ~ os + ? - * oe a. f ae’ ‘ a 7 j 5 > ae et: Von See te * we »Sa o ots 25,” ; (een q <a An Se j a x oe ro’ f Che ve ‘s ie: m4 See 4 & & ; sari * & 9 i fe: tg r- ‘ 2 ee % m= SN » EF ° 58. - yg a EN erie ttn 7 satin J LS lepeesE | abe Gees “" e Ysa 7 ee . by ae & oF to oe -_ > . fe ° ' 7, . om) *<. ag > . * » ‘ P . _ ~ o* : , ~e 4 wv. » Xx 7 - i y et, Bae } EOANCES, the™ edues dR E28 3 tieua ‘ef Ke, he most snp ttank eo. & into tt ee Bet : t S-journey*to a artist may be-*% fe of thts great extend ato 1432, the. eS phere Roney nis vartner: and: contempory oo cf 5g --iche | chitect and sculptor, the second, 35 to: 2454, - é ring which is-work 1 je*sculptural “ado ee oe ae in 1 of achitecture an the ‘final Selo’ ‘of his ol +5, ticism préfers to- all ies or “ productive lit at of a great realist, and in ‘the sense that he ‘nedioeval tradition: and brought great new ‘innova - st Y s6Hoais faprbe of his time, called a, realist. fe was his trip rey and all | his to Rome through the direct study However the of pene | greatest. influence* in ‘1432 and his study of Classic worl «shows - the profound Pures of “thé “an@iei6° vts,y - asPr 4. is vor! Ingorsorated all the influences and architectural» a *** a | ophet S and Patriarchs for the Cathedral and Campanile at * » there is evident a desire to portray highly individua pot aits of these Biblical characters, and te ewpecerated ling and handling of “the: figure gives the work : highly drana ju. lity, anc. has a nsychohogical effect.upon the spectator. he. so called "realism however is never carriec too far, ** | and experiences affected his life; a deep feeling and understanding of natu. tea, respect and evaluation or Class ic art, and ‘the great **" tidris.of the past. ° * In “th e earlier works of Donatello, ‘the montmental statues of e formal handlins of: drapery, the dignityof the PONE | structural design, ad combine | gor’ ‘the eS. er increased influence. of the Savin efter journey” c Rome is show in his’ ‘subsequent’ works; Saints of the Dtedly of the altar, i the reproduced and sculptu Dona telto! S the Crucifix plate; ‘the ke *#« statue* Condottiere. Gat’ tamelata.-This equestrian sroup was undouinfiuenced by the Roman’ statue of Marcus Aurelius of the * Gapitoline,but is to the static and tells: and. in poses highest ral va and | aatipada fs characteristic of the architectural quality ——- : — . —- - Classic only in respect which we PTPSe La with . - = — + > = . - a inti aia = | % %* oe bi :