Ce rr ak 143 1 ae HE oe ee eraeeereer SPREE TET Et pees mmr - Gee iaveccra tints —- = shame acrimT yor men oheS oe mi hoy sores. ‘ ee % 3 * represents the Cathedral aie plate but the largest Church;:zamfinishad Ls Bolom, datron = uO dedicated and aa90 econ ture Ce. thd z secon Sou metdordal “in splendid struc~ el. Saint at he a ty © oie es The 2; third A.) represents plate ~ - 4) in: the } fosés. of Kichelang solo, the | chureli of San: Pietro in Vincoli at Rone. oTfhe- Moses, oric ‘inally intended for one of 7 of: ‘thes ee: Angles ( ss Ai ted over courses “LS now: placed at <the level: of the eye y- ‘in ‘the conshe tre of the: ‘orinci al face of the uonwient as it’ was at. last’ finished, on a derlorably reduced and altered scale. : weene. prophet, - heavily bearded and draped; with only his right arm bare, sits with his left foot drawn back, his head raised and turned to the left with an expression of indignation and menace,* his left hand laid on his lap and his right grasping the tables * of the law. The work, except in one or two places, is of the utmost fini sh, and the statue looks like one of the prophets of the Sixtine, ceiling done in marble. ¢ ‘, The pvlate et “ pebrésents ’ the: dancing,. singing children, by* della Robbia,” inthe Museu ‘of: the! Cathedral at Florence. Luca | as Authorities. agree, that. "the. naive chara of childhood" been portrayed better: than” in. the. ten: groups wht clipals truth “They of onverelis: represented... are rege te @dvas the figures sad engonted . a1 ide for for, the. crace never of ** the naturalness and of" reliefs ot movement and form they* PgR? Jom DOSSESSe a Diao Florence; ‘the nosti chanting and attractive ‘aad deco pations are- these ficures: and croups of glazed white terracotta, vusually*on a blue erOund , “Largely the work of the Della Robbia fa . nilyg2e a _— "ae. ; sao (h- 0 "They ee star the walls of Churches, euaneed: Pe chapels, with their