the mixing of colors, the chemistry of colors, the treatment of canvas, and beginning painting. Three quarter hours. Autumn, Winter, Spring. Strong 22. Intermediate Oil Painting. Continuation of Art 21. Includes further painting in impasto or underpainting and glazing from still life figures, or out-of-doors. Six hours laboratory a week. Three quarter hours. Autumn, Winter, Spring. Strong 23. Advanced Oil Painting. Principles of composition and painting with oil colors. Portraiture, landscape, or still life. Prerequisites: Art 21, 22. Six hours laboratory a week. Autumn, Winter, Spring. Strong 24. Pictorial Composition. Elementary composing of still life and other objects with emphasis on selection and arrangement and modeling of form with light and shade. Three quarter hours. Winter. Staff 25. Still Life. Painting with oils, water colors or pastel from still life. Color harmony in painting. Prerequisite: Art 24 or equivalent. Three quarter hours. Spring. Staff 26. Elementary Water Color Painting. Includes many accepted fundamentals of watercolor painting. Includes the mixing of colors, methods of application, stretching of paper, etc. Six hours laboratory a week. Three quarter hours. Autumn, Winter, Spring. Strong 27. Intermediate Water Color Painting. Continuation of Art 26. Painting from figures, still life, landscape. Prerequisite: Art 26. Six hours laboratory a week. Three quarter hours. Autumn, Winter, Spring. Strong 28. Advanced Water Color Painting. Continuation of Art 26. Includes composition, painting of still life, portraiture, or landscape. Prerequisites: Art 26, 27. Six hours laboratory a week. Three quarter hours. Autumn, Winter Spring. Strong 31. Pen Lettering. A beginning course in pen lettering with stress on fundamentals of letter structure and spacing. Recommended for prospective teachers. Three quarter hours. Autumn. Strong 32. Brush Lettering. A beginning course in brush lettering, fundamental strokes, brush manipulation, alphabet types, and layout. Recommended for prospective teachers. Three quarter hours. Winter. Strong 33. Show Card Layout. Fundamentals of poster making; layout of show-cards, price tags, and banners. Prerequisite: Art 32. Three quarter hours. Spring. 34. Built-Up Lettering. A beginning study of the technique of lettering for reproduction in maqazines and newspaper advertising. Letter structure and spacing. Three quarter hours. Autumn. Strong 35. Built-Up Lettering. An advanced course in lettering to gain proficiency. Careful study of type-faces. Designing copy to fit given areas. Three quarter hours. Winter, Spring. Strong 36. Pre-Ilustration. Representational drawing using various media for reproduction. Three quarter hours. Autumn. Strong 37. Illustration. Figure and still life painting in various media. Three quarter hours. Winter. Strong 38. Illustration. A painting class emphasizing gauche as an illustrating medium. Use of the reflectiscope and camera. Three quarter hours. Spring. Strong 39. Illustration. A study of sketching out-of-door subjects and developing the picture indoors; and of how to use the sketch in developing an illustration. Principles of layout are discussed. Three quarter hourse. Spring. Strong 41. Advertising Production. A study of the commercial methods of reproduction for the purpose of determining the limitations and possibilities they impose upon and offer the artist. Three quarter hours. Autumn, Spring. Strong 43. Advertising Design. Designed to give theory and practice of representational drawing for commercial reproduction. Prerequisites: Art 1, 41. Three quarter hours. Autumn. Strong 44. Commercial Design. A study of fashion drawing from posed models; drawing in various media; a study of magazine and newspaper layout. Three quarter hours. Winter. Strong 45. Advertising Design. Painting the draped figure. Introduction of commercial water color and gauche techniques. Three quarter hours. Spring. Strong 46. Advertising Design. Designing the 24-sheet poster; use of the air brush in advertising; package and display design. Three quarter hours. Spring.