—— = ye = , a 7, °°, = “so io = “ — — - F —— r ' lll ~— 7 “a Y : ' ‘ i ig Lh. |C | _ getter nemo —— — oe = Pore ae Formation Explosion -— You aust know your next move before you play the last note of any msic in formation. The Drum Major s wild blow h whistles, You mst turn on the |th one and step off on the next beat. All of our shows will be filmed, This can be checked 82 Never lean before the lth beat so as to telegraph your next move. | So horrible wealmesses any band can experience in a public performancmost e. You mist be able to take the speed of the Drum Major's whistles and maintain it through the entir e composition you are playing. If you are in step and in the right tempo you will be precisely together. The Drun Majors and Director will often times be in view and will be maintaining the beats 6. Formations =. As we are rehearsing of o fareation is set, remeber Dog Fighting —— This is one of the exactly where you are in the formation and practice each time hitting ‘that exact same spot. We will be greatly conserned with spacing. When your spacing is corrected in rehearsal be sure you maintain the correction in all ensuing rehearsals and public performan ces. en ete Tr —— 7 “a < ~ i " Sr Serre _ : —_—— j 6... i ~~fn ——s Ay Cr ab