Music Music Information *235. Private Instruction (1) 5m, A, W, 5 Percussion instruments. 250ab. Instrumental Workshop (1 each) A practical and analytical approach to teaching and playing percussion instruments. 250c. Instrumental Workshop (1) Practicum experience in percussion instruments, to include selection and preparation of appropriate repertoire. Prerequisite: MUS 250ab. 251ab. Instrumental Workshop (1 each) A practical and analytical approach to teaching and playing brass instruments. 251c. Instrumental Workshop (1) Practicum experience in brass instruments, to include selection and preparation of appropriate repertoire. Prerequisite: MUS 25lab. 252ab. Instrumental Workshop (1 each) A practical and analytical approach to teaching and playing woodwind instruments. 252c. Instrumental Workshop (1) Practicum experience in woodwind instruments, to include selection and preparation of appropriate repertoire. Prerequisite: MUS 252ab. 253ab. Instrumental Workshop (1 each) A practical and analytical approach to teaching and playing string instruments. 253c. Instrumental Workshop (1) Practicum experience in string instruments, to include selection and preparation of appropriate repertoire. Prerequisite: MUS 253ab. 254. Instrumental Techniques for Choral Majors (2) A practical and analytical approach to teaching and playing string, wind and percussion instruments. For Choral Majors only. 260. Music Theory II (4) A Continuation of Theory I. Includes altered, borrowed, and other unique chord sonorities; advanced modulation; 20th century compositional techniques; analysis; and projects which will explore application of theoretical concepts. Prerequisite: Music 112 or equivalent. 261. Music Theory II (4) W Continuation of Music 260. 262. Music Theory II (4) 5 Continuation of Music 261. 270. Basic Accompanying (3) To learn the art of accompaniment, to become knowledgeable about repertoire and style, and to improve sight reading. *273. Private Instruction (3) 5m, A, W, 5 All performance areas. One hour instruction/week. Minimum of 18 hours/week practice required. One-half hour special assignment. By consent of instructor only. May be taken for credit up to three times in any area of specialty. 279. Music Convocation (1) One year (3-quarters) required recital/concert attendance at 24-30 events/year (8-10/ quarter), to be selected by the Department of Performing Arts. A minimum of six recital events will be scheduled during daytime hours. The "T" grade will be used until the completion of three quarters. 284. Form and Analysis (3) A study of basic musical form with particular emphasis on the most important contrapuntal and homophonic styles from the Baroque through 19th Century. Study will include harmonic and structural analysis. Must be enrolled in or have completed Music 261. 289. Cooperative Work Experience (1-9) Open to all students in the Music Area who meet the minimum cooperative work experience requirements of the department. The course objective for each student will be developed between the student, the department, and a suitable employer providing the opportunity for an on-the-job experience. Evaluation of course participants will be shared between the employer, student, and the Music Area. Grade and amount of credit will be determined by the Music Area. May be repeated to a maximum of 9 credits. 292. Short Courses, Workshops, Institutes, and Special Programs (1-6) (As needed) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When the number is used, it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript. *300. Private Instruction (1) 5m, A, W, 5 Individual lessons, vocal or instrumental. For those not pursuing a major or minor in music. 301. Music History and Literature (3) A Historical and biographical approaches to the study of music history and literature with pertinent musical examples. Three periods of lecture and one period lab per week. Prerequisite: Music 112. 302. Music History and Literature (3) W Continuation of Music 301. Prerequisite: Music 112. 303. Music History and Literature (3) 5 Continuation of Music 302. Prerequisite: Music 112. 305. Counterpoint (2) Eighteenth century polyphonic techniques including the five contrapuntal species, formal processes, analysis, and compositional application of concepts studied. Prerequisite: Music 260 or equivalent. 307. Jazz: From Then Till Now (3) A study of the history of jazz from its beginning to the present. 308. Choral Literature (3) A survey of major choral masterworks of all historical periods. 310. Keyboard Literature (3) A Keyboard literature to acquaint the student with historical and stylistic periods of music. 311. Keyboard Literature (3) W Continuation of Music 310. 312. Keyboard Pedagogy (3) Comprehensive study of performance pedagogy and supervised private teaching. Prerequisite: Music 311. 313. Keyboard Pedagogy (3) Continuation of Music 312. 314abc. Practicum in Choral Conducting (2 each) Advanced conducting laboratory which includes conducting musical groups in the public schools. Prerequisite: Music 219. 315abc. Practicum in Instrumental Conducting (2 each) Advanced conducting laboratory which includes conducting musical groups in the public schools. Prerequisite: Music 219. 317. Orchestration (3) A course designed to explore principles of writing music for instrumental sections and instrumental combinations. Prerequisites: Music 262 and 305 or equivalent. 318. Choral Arranging (2) A course designed to explore principles of writing music for various voice groups. Prerequisites: Music 262 and 305 or equivalent. 320. Methods of Teaching Music in the Elementary Schools (3) Methods and materials of the elementary school music program. 321. Teaching General Music in the and Secondary Schools (3) Methods and materials for the middle and junior high general music program, music appreciation, music history, and music theory for the secondary schools. *330. Private Instruction (1) 5m, A, W, S Keyboard. *331. Private Instruction (1) 5h, A, W, 5 Voice. *332. Private Instruction (1) Su, A, W, S Woodwind instruments. *333. Private Instruction (1) 5m, A, W, 5 Brass instruments. *334. Private Instruction (1) 5m, A, W, 5 String instruments. *335. Private Instruction (1) Su, A, W, 5 Percussion instruments. 339. Lyric Theatre Production Techniques (3) A detailed study of musical theatre and the practical application of skills, techniques, and materials necessary for production in secondary schools. *340. Weber State A Cappella Choir (1) A, W, 5 Membership by audition or consent of instructor. (Evening only.) *343. Weber State Singers (1) A, W, S A select performing ensemble performing many musical styles (folk, sacred, pop, serious secular, Broadway with choreography). By audition only. *344. Lyric Theatre (1-2) Study of traditional and contemporary operatic literature through rehearsal and performance of complete operas and musical comedies. Membership by consent of instructor. (May be repeated for credit.) *345. Vocal Ensemble (1) A, W, 5 Training in small vocal groups such as trios, quartets, and sextets. *346. Weber State Concert Choir (1) A, W, 5 Membership by audition or consent of instructor. *347. Sound System (1) A, W, 5 A select performing ensemble preparing a wide variety of musical styles. By audition only. *348. Brass Ensemble (1) A, W, 5 Training in performance for brass chamber music groups. *350. Symphonic Band (1) A, W, 5 Membership by audition or consent of instructor. Emphasis is on the study and preparation of modem symphonic band literature. *351. Pep Band (1) A, W Plays at athletic functions using contemporary jazz, rock, and popular music. By audition. *352. Wind Ensemble (1) A, W, 5 Membership by audition or consent of instructor. Emphasis is on study and performance of literature for selected wind and percussion ensembles of varying size. Participants may be required to participate in symphonic band. *353. Jazz Ensemble (1) A, W, S Performance in modem stage band. Membership by audition or consent of instructor. *354. Marching Band (2) A By audition and/or consent of the director to students on flags, rifles, and band instruments. *355. Instrumental Ensemble (1) A, W, 5 Training in instrumental chamber ensembles such as trios, quartets, quintets, and sextets. *357. Keyboard Ensemble (1) A, W, 5 Training in keyboard ensemble situations to develop fluency in reading. Student Services Interdisc. Programs Allied Health Sciences Arts& Humanitie: Business & Economics Education Natural Sciences Social Sciences Technolog 102 103 Continuing Education