Theatre Arts Theatre Arts Information 211. Theatre Voice and Diction (4) W Developing the actor's voice is the focus of this course. The IPA, and a formal vocal training system are areas of study. Applications for the singing actor will be explored. 1 212. Acting I: Character Analysis and 1 ' Development (3) W An introduction to methods of creating a character using the actor's instrument—body, intellect, and soul. The course applies elements of stage movement as well as voice and diction. Includes two hours per week arranged studio acting hours. 215. Acting/Directing Practicum (1) Experiential learning through involvement onstage in Weber State Theatre Arts productions. May be repeated for upper division credit. 220. Technical Theatre I: Costumes (3) A Exploration of the theory and practice of building costumes for the stage in classroom and hands-on formats. Two studio hours per week are required. Prerequisite: Theatr 120 221. Tech Theatre I: Scenery and Lighting (3)5 Exploration of the theory and practice of building scenery, executing a lighting plot, and stage rigging through classroom and hands-on experience. Two studio hours per week are required. Prerequisite: Theatr 120. 225. Design/Tech Practicum (1) Experiential learning through involvement backstage on running crews or through studio work for Weber State Theatre Arts productions. 240. Stage Management (3) W A practical study of stage management techniques necessary for efficient theatre production. A conceptual overview of the rehearsal and performance process will be stressed. 244. Acting for Musical Theatre (3) W Practical study of acting methods unique to the discipline of musical theatre. Emphasis will be placed on the interpretation of modern musical theatre, literature through imagery, action, characterization, and analysis of the score and libretto. Prerequisite: Theatre 212. 245. Management Practicum (1) Experiential learning through involvement in "front of house" operations for Weber State Theatre Arts productions. May be retaken for upper division credit. 265. Individual Training in Stage Voice (3) Eight individual lessons on vocal technique for the actor. 270. Stage Combat (3) Physical training in the art and craft of stage combat. Emphasis is on safe application of technique to choreograph and execute stage fights. May be repeated for upper division credit. 275. Stage Makeup (2) A A practical exploration of basic stage makeup techniques and skills of design and application. 292. Short Courses, Workshops, Institutes and Special Programs (1-6) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When the number is used it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript. All students must have completed English 112 to register for upper division courses (courses numbered 301 and above). 305. Acting for the Camera (3) For majors and non-majors, this course introduces the unique challenges of acting for film and video. Includes four arranged acting studio hours per week. Prerequisite: TA 212. 306. Auditioning (3) A practical course for theatre majors. Includes practice of cold readings, prepared monologues, and improvisation. Prerequisite: TA 212. 310. Acting II: Scene Study (3) Applies the principles learned in Acting I on a more intense level. Includes two arranged acting studio hours per week. Prerequisites: Acting I (TA 212), Stage Movement (TA 210) and Voice and Diction (TA 211). 312. Acting III: Acting Styles and Systems (3) Introduces students to the techniques required to perform in various styles encountered in contemporary theatre, from Greek tragedy to the most modern forms. Includes two arranged studio hours per week. Prerequisite: Acting II (TA310). 320. Scenographic Design I: Costume (3) 5 A practical exploration of how a costume designer communicates characterization through costumes in relationship with the other design elements of a production. 321. Scenographic Design I: Scenery (3) W A practical exploration of how a scenic designer communicates an environment for dramatic action through scenery and properties, and how a lighting designer illuminates dramatic action in the designed enviornment. Students will choose to emphasize: scenic design TA321; lighting design TA 322; scenic and lighting combination TA 323 for teaching majors. Hi j 322. Scenographic Design I: Lighting (3) W A practical exploration of how a scenic designer communicates an environment for dramatic action through scenery and properties, and how a lighting designer illuminates dramatic action in the designed enviornment. Students will choose to emphasize: scenic design TA 321; lighting design TA 322; scenic and lighting combination TA 323 for teaching majors. 323. Scenographic Design I: Scenery and Lighting for Teachers (3) W A practical exploration of how a scenic designer communicates an enviornment for dramatic action through scenery and properties, and how a lighting designer illuminates dramatic action in the designed enviornment. Students will choose to emphasize: scenic design TA 321; lighting design TA 322; scenic and lighting combination TA 323 for teaching majors. 324. Costume History (3) Study of period fashion is applied to the unique needs of theatre costumes in relationship to other areas of design. Cultural connections are emphasized. 325. Architecture and Decoration for Designers (3) Study of period architecture. Fine and functional art is applied to the unique needs of scenic design in relationship to other areas of design. Cultural connections are emphasized. 330. History and Literature of Theatre I (4) A A study of theatre and drama from their origins until the closing of the theatres in 1642. 331. History and Literature of Theatre II (4) W A study of theatre and drama from the Restoration until the beginnings of modem theatre. 332. History and Literature of Theatre III (4) 5 A study of theatre and drama from the development of modem theatre until the present. 333. Asian Theatre and Drama (3) This course will deal with different subjects during different quarters. Possible subjects include Chinese drama and theatre, Japanese drama and theatre, Southeast Asian and Indian drama and theatre. May be repeated for credit. 334. History and Literature of Musical Theatre (3) A study of musical theatre from the origins of Opera through contemporary musical theatre. Cultural connections are emphasized through examination of book, score and performance. 340. Performing Arts Management (3) An overview of management techniques as applied to the performing arts in general. The course is divided into front of house management and company management. 108 410. Directing I (3) A Theory and practical application of directing approaches. Prerequisites: Acting I (TA212), Stage Management (TA240) and a costume, scenic, or lighting design course (TA320,321,322or323). 411. Directing II (3) W (even years only) Advanced theory and application of directing approaches. Prerequisites: TA 410. 415. Acting/Directing Practicum (1) Experiential learning through involvement onstage in Weber State Theatre Arts productions. May be repeated for upper division credit. 425. Design/Tech Practicum (1) Experiential learning through involvement backstage on running crews or through studio work for Weber State Theatre Arts productions. 444. Scene Study for Musical Theatre (3) 5 Advanced study of acting methods unique to the discipline of musical theatre. Emphasis will be placed on the interrelationship of characters through the use of dusts, group scenes, and production numbers. Selected composer and lyricists will also be addressed. Prerequisite: Theatre 244. 445. Management Practicum (1) Experiential learning through involvement in "front of house" operations for Weber State Theatre Arts productions. May be retaken for upper division credit. 450. Dramaturgy (3) Application of history/research track to the conceptual development of plays. HU460. Creative Dramatics (3) S Theories and practices of creative drama related to classroom, playground, and social services. Especially recommended to students of recreation, education and social services. 465. Individual Training in Stage Voice (3) Eight individual lessons on vocal technique for the actor. 470. Stage Combat (3) Physical training in the art and craft of stage combat. Emphasis is on safe application of technique to choreograph and execute stage fights. May be repeated for upper division credit. 471. Methods of Teaching Theatre (3) A Application of pedagogy to teaching theatre arts in secondary schools. Requires field experiences supervised by Theatre Arts Faculty. Student Services Interdisc. Programs Allied Health Sciences Arts& Humanities Business & Economics Education Natural Sciences Social Sciences Technology 109 Continuing Education