80 Art 424. Lithography III (3) Continued exploration of lithography with the introduction of color and photolithographic techniques. Prerequisite: Art 324 or consent of instructor. (Formerly Advanced Lithography) *430. Ceramic Glaze Calculation (3) Glaze formulation to achieve definitive objectives for desired glaze qualities. Kiln objectives for desired glaze qualities. Kiln operation. Prerequisite: Art 330 or consent of instructor. *431. Ceramics III (3) Advanced problems in ceramic design and construction with emphasis on sculptural forms and techniques. Individual projects to be determined by consultation with instructor. Prerequisite: Art 331 or consent of instructor. (Formerly Art 330) *435. Metalsmithing and Jewelry Design III (3) Development of advanced concepts and techniques with emphasis on personal creative approaches. Prerequisite: Art 235 or consent of instructor. (Formerly Art 436) *440. Visual Communications: Advanced Design (3) Application of design skills to a broad range of problems in visual communications. Prerequisite: Foundation and Art 243 or consent of instructor. (Formerly Graphic Design.) *446. Visual Communications: Advanced Illustration (3) Application of imaging skills to a broad range of illustration problems in visual communications. Prerequisite: Foundation and Art 243 or consent of instructor. *454. Weaving III (3) Advanced weaves on 4-harness looms, projects combining structural/sculptural variations with woven and non-woven techniques. Prerequisite: Art 354 or consent of instructor. (Formerly Advanced Individual Problems-Weaving) *460. Painting III (3) Interpretive painting. Individualized experimentation with reconceptualizing form and composition. Assimilated form, fantasy, abstraction and memory images are encouraged. Prerequisite: Art 360 or consent of instructor. (Formerly Advanced Oil/Acrylic Painting) *465. Watercolor Painting III (3) Continued exploration of watercolor techniques. Prerequisite: Art 365 or consent of instructor. (Formerly Advanced Watercolor Painting) *470. Sculpture III (3) Development of advanced concepts and techniques with emphasis on personal creative approaches. Prerequisite: Art 370 or consent of instructor. 483. Directed Readings (1-5) Individualy chosen readings on specialized topic supervised by a faculty member. Prerequisite: Consent of faculty supervisor prior to registration. *489. Cooperative Work Experience (1-9) Open to all third and fourth year students in the art program. A continuation of Art 289. *490. Studio Practices (2-5) Seminar in selected areas of emphasis. Open to juniors and seniors only. *491. Studio Practices (25) Seminar in selected areas of emphasis. Open to junior and seniors only. *492. Short Courses, Workshops, Institutes and Special Programs (1-6) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When the number is used it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript. *May be repeated for credit. Photography Courses 101. Basic Photography (5) Introduction to black and white photography. Students learn the use of the camera, film and print processing and gain an aesthetic sense of the medium. 125. Introduction to Filmmaking (4) An introduction to the aesthetic and technical aspects of motion picture production. The course will also give students an exposure to alternative forms of film and video making. Prerequisite: Photo 101 or consent of instructor. (Formerly Introduction to Cinematography) 127. Photo Coloring and Enhancement (2) Familiarization with techniques of coloring black and white photographs and modification and enhancement of color prints. Four hours demonstration, practice and critique per week (Evening School) 201. Intermediate Photography (4) Production of high quality black and white photographs, introduction to the zone system of exposure, printing, toning. A highly disciplined craft-oriented course to help develop technical and aesthetic skills in black and white photography. Prerequisites: Photo 201 and Art 116 or consent of instructor. (Formerly Photo 320) 210. Color Photography (4) The theory, creative practice and aesthetics of shooting, developing, printing and presenting prints made from color negatives. Prerequisite: Photo 101 or consent of instructor. 216. Photojournalism (4) Photojournalism and documentary techniques for visual communication. Emphasis on developing sensitivity to and awareness of the emotional impact of photographic images. Prerequisite: Photo 101. 230. Commercial Studio I (4) Introduction to the theory and practice of black and white studio and location lighting. Emphasis will be on the use of medium and large format cameras while working on assignments in protraiture and commercial illustration. Prerequisite: Photo 201 or consent of instructor. (Formerly Photo 124) 292. Short Courses, Workshops, Institutes and Special Programs (1-5) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When this number is used it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript. 310. Advanced Color Photography (4) Theory, practice and aesthetics of shooting, developing, and printing color transparency materials. Exploration of slide/sound multimedia presentations. Emphasis is placed on the creative application of color photography. Prerequisite: Photo 210 or consent of instructor. *319. Non-Silver Photography (4) Experimental photographic alternatives to the silver print with emphasis on the creative use of the historical processes of cyanotype, brown print, and gum bichromate. Prerequisite: Photo 101 and Art 116 or consent of instructor. (Formerly Graphic Photography). 321. Photography and Visual Communication (4) Student creative projects based on an historical view of photography as it relates to the fields of graphic design, illustration, politics and many other related visual arts areas. Prerequisite: Photo 201 or consent of instructor. *325. Intermediate Filmmaking (4) Further experiences in cinematography, with emphasis on shooting, editing, and presenting 16MM format motion pictures. Includes introductory experiences with sound. Prerequisite: Art 116 and Photo 125 or consent of instructor. (Formerly Intermediate Cinematography.) 330. Commercial Studio II (4) Introduction to the theory and practice of location and studio stroboflash lighting in color, emphazing the use of medium and large format cameras while working on assignments in portraiture and commercial illustration. Prerequisites: Photo 210 and 230 or consent of instructor. (Formerly Photo 324.) *430. Commercial Studio III (4) Advanced materials and techniques. Production of professional quality fashion and commercial illustration images. Examination of business practices and legal problems in photography. Prerequisites: Photo 310 and 330 or consent of instructor. (Formerly Commercial-Illustrative Photography.) 479. Photographic Portfolio (4) The design and production of a professional quality photographic portfolio for use in seeking employment in commercial photography, presenting work to art galleries, or for seeking admission to graduate school programs. Prerequisite: Photo 330 or consent of instructor. 492. Short Courses, Workshops, Institutes and Special Programs (1-6) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When the number is used it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript. * May be repeated for credit. 81 Communication Department of Communication Chairman: Randolph J. Scott Location: Browning Center, Room 413 Telephone: 626-6426 Professors: Harold Y. Hunker, Benjamin M. Noid; Associate Professors: M. Jay Clegg, Raghuraj Kumar, Randolph Scott, Assistant Professor: Richard Halley; Instructor: David Berube; Instructor Specialists: Larry Stahle. Description The Department of Communication includes four areas of emphasis: Broadcasting, Oral Communication, Journalism and Public Relations. Education A Bachelor of Arts or a Bachelor of Science degree is offered in Communication with any of the above emphases. Students majoring in the communication programs receive a thorough orientation in the pro- cess and roles of interpersonal and mass communication. Students develop skill in fact finding, analysis, and written and oral communication. Departmental minors are prepared to make a communicative contribution with their major field, whether that communication is oral or written. Minor programs in the department also provide valuable complementary training for majors in business, education, humanities, the sciences, and technology. The Department of Communication also provides service courses to help students from other departments develop desired communication skills. Employment Outlook There is a wide range of career options made possible through professional preparedness in Communication. Industry, city, state and federal governments, as well as private business, are some of the avenues of employment opportunities. Communication graduates who have developed a broad background in all communication areas will find their career opportunities greatly enhanced.