100 Music Music Courses 100. Private Instruction (1) Individual lessons-vocal or instrumental. For those students not pursuing a major or minor in music. HU101. Introduction to Music (3) Designed to give the non-music student a basic understanding of the language and literature of music. 102. The Evolution of Jazz (3) The development of jazz and its influence on American culture. 107. Fundamentals of Musicianship (3) Melody, harmony, rhythm, notation, ear training, sight-singing, and keyboard skills needed to meet entrance requirements for Theory I. 108. Fundamentals of Musicianship (3) Continuation of Music 107. 109. Fundamentals of Musicianship (3) Continuation of Music 108. 110. Music Theory I (2) Elementary harmony, primary and secondary triads with inversions, non-harmonic tones and modulation. Music 113 must be taken concurrently with this course. 111. Music Theory I (2) Continuation of Music 110. Music 114 must be taken concurrently with this course. 112. Music Theory 1 (2) Continuation of Music 111. Music 115 must be taken concurrently with this course. 113. Theory Lab I (2) Development of aural and psycho-motor skills necessary for excellent musicianship. (To be taken with 110). 114. Theory Lab I (2) Continuation of Music 113. (To be taken with 111). 115. Theory Lab I (2) Continuation of Music 114. (To be taken with 112). 130. Private Instruction (1) Keyboard. 131. Private Instruction (1) Voice. 132. Private Instruction (1) Woodwind Instruments. 133. Private Instruction (1) Brass Instruments. 134. Private Instruction (1) String Instruments. 135. Private Instruction (1) Percussion Instruments. 140. Weber State A Cappella Choir (1) Membership by audition or consent of instructor. (Evening only.) 143. Weber State Singers (1) Membership by audition or consent of instructor. 144. Lyric Theatre (1-2) Study of traditional and contemporary operatic literature through rehearsal and performance of complete operas and musical comedies. Membership by consent of instructor. (May be repeated for credit.) Also listed under TA144. 145. Vocal Ensemble (1) Training in small vocal groups such as trios, quartets, and sextets. 146. Weber State College Concert Choir (1) Membership by audition or consent of instructor. 147. Choralition (1) A select performing ensemble preparing a wide variety of musical styles (i.e, folk, vocal jazz, sacred, and serious secular music). By audition only. 148. Brass Ensemble (1) Training in performance for brass chamber music groups. 150. Symphonic Band (1) Membership by audition or consent of instructor. Emphasis is on the study and preparation of modern symphonic band literature. 151. Pep Band (1) Plays at athletic functions using contemporary jazz, rock and popular music. By audition. 153. Jazz Ensemble (1) Performance in modern stage band. Membership by audition or consent of instructor. 154. Marching Band (2) By audition and/or consent of the director to students on flags, rifles and band instruments. 155. Instrumental Ensemble (1) Training in instrumental chamber ensembles, such as trios, quartets, quintets, and sextets. 157. Keyboard Ensemble (1) Training in piano ensemble situations to develop fluency in reading. 160. W.S.C. Symphony Orchestra (1) Membership by audition or consent of instructor. Symphonic instumentation with participation in concerts, oratorio, and opera. 161. Theatre Orchestra (1-2) Membership by audition or consent of the instructor. Instrumentation determined by the music production being presented. 169. Music Essentials (3) For prospective elementary school teachers. Rudiments of music, sight-singing, notation, ear training, dictation, and keyboard harmony. 173. Private Instruction (3) All performance areas. One hour instruction /week. Minimum of 18 hours/week practice required. One-half hour special assignment. By consent of instructor only. May be taken for credit up to three times in any area of specialty. 213. Group Keyboard Instruction (1) Principles and procedures from beginning to advanced instruction with stress on reading skill, technical facility, and sound musicianship. 214. Group Keyboard Instruction (1) Continuation of Music 213. 215. Group Keyboard Instruction (1) Continuation of Music 214. 216. Vocal Workshop (1) Development of the singing voice with special attention to freedom of tones, purity of vowels, interpretation, diction, and flexibility. 219. Basic Conducting (2) Score reading, basic conducting movements, clef study, and transpositions. 230. Private Instruction (1) Keyboard. 231. Private Instruction (1) Voice. 232. Private Instruction (1) Woodwind instruments. 233. Private Instruction (1) Brass instruments 234. Private Instruction (1) String instruments 235. Private Instruction (1) Percussion Instruments 250. Instrumental Workshop (2) A practical and analytical approach to teach and play percussion instruments. 251. Instrumental Workshop (2) A practical and analytical approach to teach and play brass instruments. 252. Instrumental Workshop (2) A practical and analytical approach to teach and play woodwind instruments. 253. Instrumental Workshop (2) A practical and analytical approach to teach and play string instruments. 260. Theory II (2) Continuation of Theory I. Includes altered, borrowed and other unique chord sonorities, advanced modulation, 20th century compositional techniques, analysis, and projects which will explore application of theoretical concepts. Music 263 must be taken concurrently with this course. Prerequisite: Music 112 or equivalent. (Includes 2 hr. lab). 261. Theory II (2) Continuation of Music 260. Music 264 must be taken concurrently with this course. 262. Theory II (2) Continuation of Music 261. Music 265 must be taken concurrently with this course. 263. Theory Lab II (2) Continuation of Theory Lab I. Content includes advanced melodic dictation, ear training, score reading, and sight-singing. Prerequisite: Music 115 or equivalent. 264. Theory Lab II (2) Continuation of Music 263. 265. Theory Lab II (2) Continuation of Music 264. 270. Basic Accompanying (3) To learn the art of accompaniment, and become knowledgeable about repertoire, style and improve sight reading. 273. Private Instruction (3) All performance areas. One hour instruction/week. Minimum of 18 hours/week practice required. One-half hour special assignment. By consent of instructor only. May be taken for credit up to three times in any area of specialty. 289. Cooperative Work Experience (1-9) Open to all student in the Music Department who meet the minimum Cooperative 101 Music Work Experience requirements of the department. The course objective for each student will be developed between the student, the department, and a suitable employer providing the opportunity for an on-the-job experience. Evaluation of course participants will be shared between the employer, student, and the department. Grade and amount of credit will be determined by the department. 292. Short Courses, Workshops, Institutes and Special Programs (1 -6) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When the number is used it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript. 300. Private Instruction (1) Individual lessons vocal or insturmental. For those not pursuing a major or minor in music. HU301. Great Epochs in Music (3) Historical and biographical approaches to the study of Renaissance, Baroque, Classical, Romantic and Modern periods with pertinent musical examples. HU302. Great Epochs in Music (3) Continuation of HU301. HU303. Great Epochs in Music (3) Continuation of HU302. 305. Counterpoint (2) Eighteenth century polyponic techniques, including the five contrapuntal species, formal processes, analysis and compositional application of concepts studies. Prerequisite: Music 112 or equivalent. 307. Jazz: From Then Till Now (3) A study of the history of jazz, from its beginning to the present. 308. Choral Literature (3) A survey of major choral masterworks of all historical periods. 310. Keyboard Literature (3) Keyboard literature to acquaint the student with historical and stylistic periods of music. 311. Keyboard Literature (3) Continuation of Music 310. 312. Keyboard Pedagogy (3) Comprehensive study of performance and teaching pedagogy and supervised private teaching. Prerequisite: Music 311. 313. Keyboard Pedagogy (3) Continuation of Music 312. 314. Practicum in Choral Conducting(3) Advanced conducting laboratory which includes conducting musical groups in the public schools. Prerequisite: Music 219. 315. Practicum in Instrumental Conducting (3) Advanced conducting laboratory which includes conducting musical groups in the public schools. Prerequisite: Music 219. 316. Instrumental Repertoire (3) Orchestral, Band, Small Ensemble, and Solo material. 317. Band Arranging (3) A course designed to explore principles of writing music for woodwinds, brass and percussion as sections and in combination. Prerequisite: Music 262 or equivalent. 318. Choral Arranging (2) A course designed to explore principles of writing music for various voice groups. Prerequisite: Music 262, 305 or equivalent. 319. Composition Techniques (2) Explores Twentieth Century principles and techniques of composing. Prerequisite: Music 262 or equivalent. 320. Methods of Teaching Music in the Elementary Schools (3) Methods and materials of the elementary school music program. 330. Private Instruction (1) Keyboard. 331. Private Instruction (1) Voice. 332. Private Instruction (1) Woodwind Instruments. 333. Private Instruction (1) Brass Instruments. 334. Private Instruction (1) String Instruments. 335. Private Instruction (1) Percussion Instruments. 338. Vocal Repertoire (3) Repertoire development. 339. Lyric Theatre Production Techniques (3) A detailed study of musical theatre, and the practical application of skills, techniques and materials necessary for production in secondary schools. 340. Weber State A Cappella Choir (1) Membership by audition or consent of instructor. (Evening School only.) 343. Weber State Singers (1) Membership by audition or consent of instructor. 344. Lyric Theatre (1-2) Study of traditional and contemporary operatic literature through rehearsal and performance of complete operas and musical comedies. Membership by consent of instructor. (May be repeated for credit.) Also listed under TA344. 345. Vocal Ensemble (1) Training in small vocal groups, such as trios, quartets and sextets. 346. Weber State College Concert Choir (1) Membership by audition or consent of instructor. 347. Choralition (1) A select performing ensemble preparing a wide variety of musical styles (i.e, folk, vocal jazz, sacred, and serious secular music). By audition only 348. Brass Ensemble (1) Training in performance for brass chamber music groups. 350. Symphonic Band (1) Membership by audition or consent of instructor. Emphasis is on the study and preparation of modern symphonic band literature. 351. Pep Band (1) Plays at athletic functions using contemporary jazz, rock and popular music. By audition. 353. Jazz Ensemble (1) Performance in modern stage band. Membership by audition or consent of instructor. 354. Marching Band (2) By audition and/or consent of the director to students on flags, rifles and band instruments. 355. Instrumental Ensemble (1) Training in instrumental chamber ensembles, such as trios, quartets, quintets, and sextets. 357. Keyboard Ensemble (1) Training in keyboard ensemble situations to develop fluency in reading. 360. W.S.C. Symphony Orchestra (1) Membership by audition or consent of instructor. Symphonic instrumentation with participation in concerts, oratorio, and opera. 361. Theatre Orchestra (1-2) Membership by audition or consent of the instructor. Instrumentation determined by the musical production being presented. 373. Private Instruction (3) All performance areas. One hour instruction/week. Minimum of 18 hours/week practice required. One-half hour special assignment. By consent of instructor only. May be taken for credit up to three times in any area of specialty. 413. Composition Seminar (2) Composition in larger forms to develop compositional craft. Prerequisite: Music 319 or equivalent. 420. Phonetics for Singers (3) Phonetics in singing and their relationship to the basic elements of vocal music in foreign languages Prerequisite: Commun 211. 422. Vocal Pedagogy (3) A study of the physiology of the voice with emphasis on the fundamental principles and specific techniques for private voice teaching. Prerequisite: Three quarters of private vocal instruction. 423. Organization of the School Marching Band and Double Reed Making(4) Producing several marching band shows charted according to scale and useable for field, street and contest use. Techniques of double reed making included in course work.) 425. Secondary School Choral Techniques and General Music Methods (4) Methods of organizing and teaching choral music and general music in the public schools. 426. Secondary School Instrumental Techniques and General Music Methods (4) Methods of organizing and teaching instrumental music groups and general music in the public schools. 428. Musical Instrument Repair (3) Minor repair and adjustments of band and orchestra instruments. 430. Private Instruction (1) Keyboard. 431. Private Instruction (1) Voice. 432. Private Instruction (1) Woodwind Instruments. 433. Private Instruction (1) Brass Instruments. 434. Private Instruction (1) String Instruments.