130 131 DEGREE REQ GEN ED COURSES 2150. Intermediate Photography (3) A, S Production of high quality black and white photographs. Introduc- 2890. Cooperative Work Experience (1-2, 6 maximum) *3150. Historical Processes and Perspectives A, $ highly disciplined craft and concept oriented course to help develop An opportunity for students to receive academic credit for faculty approved on-the-job learning experiences within certain visual arts technical and aesthetic skills in black and white photography. Prerequisites: Art 1150 and 1160; or consent of instructor. Art 1160 not required for non-art majors. areas of emphasis. C/NC only. Prerequisites: Instructor approval (before enrollment) and previous or concurrent enrollment in art classes as specified by each area of emphasis 2200. Introduction to Printmaking (3) An introduction to all printmaking classes covering the processes of 2920. Short Courses, Workshops, Institutes and Special Programs intaglio, screenprinting, relief, lithography, and monotype. Consult the quarterly class schedule for the current offering under Students are provided with the fundamentals of each process and this number. experience with each one. printmaking classes. determined by the department. tion to the zone system of exposure, printing, toning, exhibiting. A A, S This class is a prerequisite for all 2350. Small Metals/Jewelry I (3) A, S$ Introduction to tools, materials, and basic techniques of fabrication and casting, with an emphasis on design. 2420. Introduction to Digital Media (3) A, $ Studio projects in art and design using the computer as the primary tool. Introduction to image capture, image processing, object oriented drawing, painting, page layout, interactive media, and outputs. Prerequisite: Art 1160 or consent of instructor. 2430. Typography and Publication Design (3) A Orientation to typographic communications including methods and processes, aesthetics, readability, typographic systems, grids, layout, and digital page composition. Prerequisite: Art 2420 or consent of instructor. 2440. Visual Communication (3) S Studies in perception, visual organization, media, design process, and integrated message formulation with word and image. Emphasis is placed on the application of visual language skills to communication problems. Prerequisite: Art 2420 or consent of instructor. May be taken concurrently with Art 2420. 2540. Weaving I From the Anasazi to the Present (3) S (even) Focuses on the arts of the Native Americans in the Southwest from their archaeological past to the present with occasional relevant explorations of Native American art in general. Study of traditional and contemporary modes of artistic expression. 3040. Modern Art (4) A The history of the visual arts (including painting, sculpture, architecture and photography) from 1850 to the 1950s. Study of issues in European and American Modernism; multicultural perspectives; the political, social, and intellectual history informing the arts of that period. Prerequisite: CA1100 or consent of instructor. 3050. Contemporary Art (4) S (odd) Critical analysis of developments in the arts (including multimedia art, photography, performance art, installations, and feminist art) from 1960s to the present. Emphasis on post modern currents and issues and their study in the context of broader cultural contexts. Prerequisite: CA1100 or consent of instructor. 3060. The Art and Architecture of India upright loom tapestry weaving. Includes basic weave patterns, use of various fibers, simple design, and beginning tapestry techniques. 2600. PaintingI (3) A, S$ Introduction to painting including the construction and design of paintings, investigations into the character and actions of various paints and techniques (traditional and contemporary) on a variety of surfaces. 2650. Watercolor Painting I (3) S$ An introduction to transparent watercolor painting materials, techniques, and image-making modes with research into various A (1998) Prerequisite: Art 2040 or consent of instructor. 3070. The Art and Architecture of China (3) A, S An introduction to 4-harness floor loom weaving and 2-harness (4) An historical account of the architecture, sculpture, and painting of India, including the political, religious, and intellectual history informing the arts of various regions. (3) S (1999) An historical account of the architecture, sculpture, and painting of China, including the political, religious, and intellectual history informing the arts of different regions. consent of instructor. Prerequisite: Art 2040 or 3090. The History of Photography (2) S (2000) An historical account of the development of photography, with special consideration given to its impact and influence on the history of art. Prerequisite: Art CA1100 or consent of instructor. significant artists. 3100. The Art and Architecture 2700. Sculpture I (3) A,S An introduction to the essential methods and materials of sculpture An historical survey of the architecture, sculpture, and painting of including modeling, carving, casting, and construction with emphasis on contemporary activity in sculpture and with projects designed to practice concept development. 2830. Directed Readings (1-3) A, S Individually chosen readings on specialized topics supervised by a faculty member. Prerequisite: Consent of faculty supervisor prior to registration. (4) S Studio assignments are based on photographic alternatives to the silver print. Historical references and perspectives provide the context for supervised studio/lab assignments. Prerequisite: Art 3200. Intermediate Printmaking (3) A, $ Art 1160 and 2200; or consent of instructor. 3310. Intermediate Handbuilt Ceramics (3) A Intermediate problems in handbuilt ceramics with emphasis on functional and sculptural form. Various firing techniques explored. Prerequisites: Art 1170 and 2310; or consent of instructor. 3320. Intermediate Wheelthrown Ceramics (3) (2000) the Islamic world, including the political, religious, and intellectual history informing the arts of different countries: Iran, Iraq, Egypt, Turkey, North Africa, India, Spain, and Indonesia. Prerequisite: Art CA1090, or CA1100, or 2040, or consent of instructor. 3120. The Figure (3) A, S Study of the anatomical structure of the human body. The student, by means of drawing from the model, explores literal and experimental interpretation of form. Prerequisites: Art 1110 and 1160; or An intermediate class with continued emphasis on transparent painting while introducing various opaque possibilities. Research into artists and techniques as they apply to the course. In-class Prerequisites: Art 1170 and 2310; or consent (3) A, S Development of design concepts and procedures with emphasis on basic techniques and concept development in fabrication, casting, enameling, cold connectors, surface enrichment. Prerequisites: Art 1170 and 2350; or foundation and core; or consent of instructor. 3450. Design History and Theory (3) A Historical and theoretical perspectives for the visual communication majors including a survey of critical historical movements and figures, practical studies in semiotics and rhetoric, and contempo- rary theory and media. Course contents are explored through reading, writing, lecture, discussion, and studio projects. sites: Art 2430 and 2440; or consent of instructor. 3700. Sculpture II (3) S$ An introduction to the form language of sculpture with projects Prerequi- 3460. Illustration (3) S$ Introduction to theory, methods, tools and materials, and the 3750. Color Photography (3) A The theory, practice, and aesthetics of shooting and printing color photographic materials. Emphasis is placed on the creative aspects 3850. Documentary Photography (3) S (odd) The theory, practice, and aesthetics of photojournalism and of producing photographic documentary projects. In this project- oriented class, emphasis will be placed on the students defining areas of inquiries and using the camera to present a concise record using photographs as the main vehicle for communicating their concerns. Prerequisite: Art 2150 or consent of instructor. *4110. Advanced Drawing (3) S$ Continued drawing exploration in various media with emphasis on focused personal direction, independent serial work, presentation of assigned research into related contemporary work, active participation in the critique process. Prerequisite: Art 3120 or consent of instructor. *4120. Advanced Figure Drawing (3) A, § Advanced study of the structure of the human body with a greater stress on draftsmanship, historical uses of the figure in art, and individual explorations. Prerequisite: Art 3120 or consent of instructor. *4200. Advanced Printmaking An advanced level class in printmaking with emphasis on screenprinting, relief, intaglio, and/or lithography. Emphasis on Prerequisite: Art 2430 or consent of instructor. May be taken individual portfolio production. of instructor. concurrently with Art 2430. of approaches to teaching. Requires at least 10 hours of observation/participation with a variety of populations and educational situations. Prerequisites: Art Teaching Majors should have completed 40 credit hours, Minors must have completed 12 credit hours. This course must be taken before student teaching. 3540. Weaving II (3) A, $ Intermediate level weaves on 4- and 8-harness looms, double weave techniques, projects combining several weave structures. Prerequisites: Art 1160 and 2540; or foundation and core; or consent of instructor. S$ Consolidates and further develops material covered in Painting I. Investigations include the figure, mixed media, and abstraction. Historical precedents are discussed through slide lecture as an aid to development. Prerequisites: (3) A, $ Prerequisite: Art 3200 or consent *4300. Ceramic Glaze Formulation S$ available and appropriate to teaching secondary school art, including audio and visual instructional resources, and examination (3) PRENGR CS EET MFET designed to develop conceptual thinking skills, to learn technical skills, and to explore new areas of interest in the three-dimensional concept development, media exploration and technique as applied to a variety of problems in pictorial communication. 3600. Painting II Science & visual arts. Prerequisites: Art 1170 and 2700; or consent of instructor. professional practice of illustration. Emphasis is placed on 3510. Art Methods & Resources for Secondary Teachers (2) HNRS & BIS LIBSCI WS of color photography. Prerequisite: Art 2150 or consent of instructor. S$ Intermediate problems in wheelthrowing with emphasis on functional form and surface decoration. Kilns and various firing 3350. Small Metals/Jewelry II A foundation and core; or consent of instructor. An intermediate level class with emphasis on screenprinting, relief, and intaglio with further exploration into print processes that techniques explored. of instructor. (3) presentation of the research. Prerequisites: Art 1160 and 2650; or 2150 or consent of instructor. Experiences with the various art processes, tools, and media 3080. The Art and Architecture of Japan (3) A (1999) An historical account of the development of the art and architecture of Japan. Prerequisite: Art 2040 or consent of instructor. of the Islamic World 3650. Watercolor Painting II A include photographic stencils and multicolor printing. Prerequisite: (1-4) The specific title and credit authorized will be 3030. Native American Art of the Southwest: 2310. Introduction to Ceramic Art (3) A, S$ Introduction to clay and glaze, ceramic design, handbuilt and wheelthrown forming techniques, and traditional and contemporary firing processes. (3) Art 1160 and 2600; or consent of instructor. consent of instructor. (3) S (2000) Using natural and manufactured raw materials to create ceramic glazes. Understanding traditional glaze chemistry and calculations (using atomic symbols and weights). Exploring sources of glaze color and texture, and the effects of temperature and kiln atmosphere on ceramic glazes. consent of instructor. Prerequisites: Art 3310 or 3320 or *4310. Advanced Ceramics (3) A, S§ Advanced problems in ceramic design and construction with an emphasis on aesthetics. Individual projects to be determined by consultation with instructor. Kiln operation. Prerequisite: Art 3310 or 3320 or consent of instructor. *4350. Small Metals/Jewelry III (3) A, S Development of advanced design concepts and procedures with emphasis on basic techniques and concept development in fabrication, casting, enameling, cold connectors, and surface enrichment. Prerequisite: Art 3350 or consent of instructor. *4400. Advanced Graphic Design (3) A, S Application of design theory and process to complex problems in visual communication. Emphasis is placed on research, analysis, problem definition, and the development of individual design solutions. Studio projects vary each term and will generally involve NAVSCI WEBER STATE U Nery BR Sii:Tr’y WEBER STATE UNIVERSITY