152 153 Art 3460. Illustration (3) F, S Introduction to theory, methods, tools and materials, and the professional practice of illustration. Emphasis is placed on concept development, media exploration and technique as applied to a variety of problems in pictorial communication. Prerequisite: Art 3430 or consent of instructor. May be taken concurrently with Art 3430. Art 3510. Art Methods St Resources for Secondary Teachers (3) F Experiences with the various art processes, tools, and media available and appropriate to teaching secondary school art, including audio and visual instructional resources, and examination of approaches to teaching. Requires at least 10 hours of observation/ participation with a variety of populations and educational situations. Prerequisites: Art Teaching Majors should have completed 40 credit hours, Minors must have completed 12 credit hours. This course must be taken before student teaching. Art 3540. Weaving II (3) F, S Intermediate level weaves on 4- and 8-harness looms, double weave techniques, projects combining several weave structures. Prerequisite: Art 2540 or consent of instructor. Art 3550. The View Camera (3) S (odd years) The theory, aesthetics, and techniques of photographic image making with the view camera. Students will learn the operation of large format cameras, the Zone System method of negative exposure and development and methods for fine-tuning black and white photographic printing. The history of and contemporary trends in working with large format negatives will also be explored. Prerequisite: Art 2150 or consent of instructor. Art 3600. Painting II (3) S Consolidates and further develops material covered in Painting I. Investigations include the figure, mixed media, and abstraction. Historical precedents are discussed through slide lecture as an aid to development. Prerequisites: Art 1160 and 2600; or consent of instructor. Art 3650. Watercolor Painting II (3) F An intermediate class with continued emphasis on transparent painting while introducing various opaque possibilities. Research into artists and techniques as they apply to the course. In-class presentation of the research. Prerequisite: Art 2650 or consent of instructor. Art 3700. Sculpture II (3) S An introduction to the form language of sculpture with projects designed to develop conceptual thinking skills, to learn technical skills, and to explore new areas of interest in the three-dimensional visual arts. Prerequisites: Art 1170 and 2700; or consent of instructor. Art 3750. Color Photography (3) F Emphasis will be placed on the creative aspects of color photography. Students will explore the theory, practice, and aesthetics of shooting and printing color photographic materials. Using digital media and new technology as a means for creative expression and investigation in color photography will also be a main concern in this course. Prerequisite: Art 2150, Art 3420, or consent of instructor. Art 3850. Documentary Photography (3) F (even years) The theory, practice, and aesthetics of photojournalism and of producing photographic documentary projects. In this project- oriented class, emphasis will be placed on the students defining areas of inquiries and using the camera to present a concise record using photographs as the main vehicle for communicating their concerns. Prerequisite: Art 2150 or consent of instructor. Art *4110. Advanced Drawing (3) S Continued drawing exploration in various media with emphasis on focused personal direction, independent serial work, presentation of assigned research into related contemporary work, active participation in the critique process. Prerequisite: Art 3120 or consent of instructor. Art *4120. Advanced Figure Drawing (3) F, S Advanced study of the structure of the human body with a greater stress on draftsmanship, historical uses of the figure in art, and individual explorations. Prerequisite: Art 3120 or consent of instructor. Art *4150. Alternative Photographic Processes (3) F Studio assignments are based on photographic alternatives to the silverprint. Historical references and perspectives provide the context for supervised studio/computer/assignments. Prerequisite: Art 1150 and 2150 or consent of instructor. Art *4200. Advanced Printmaking (3) S An advanced level class in printmaking with emphasis on screenprinting, relief, intaglio, and/or lithography. Emphasis on individual portfolio production. Prerequisite: Art 3200 or consent of instructor. Art 4250. Photographing the West (3) Su This course is an opportunity to photograph in the western landscape. Students will learn the skills of traveling, camping, and hiking with photographic equipment. Contemporary and historical issues pertaining to landscape photography as well as other timely photographic concerns will be discussed. Instruction will take place in the field and during supervised darkroom/studio time. Students will need to be able to spend at least a week in the field in order to participate in this class. Prerequisite: Art 2150. Art *4300. Ceramic Glaze Formulation (3) S (even years) Using natural and manufactured raw materials to create ceramic glazes. Understanding traditional glaze chemistry and calculations (using atomic symbols and weights). Exploring sources of glaze color and texture, and the effects of temperature and kiln atmosphere on ceramic glazes. Prerequisites: Art 3310 or 3320 or consent of instructor. Art *4310. Advanced Handbuilt Ceramics (3) F, S Advanced problems in ceramic design and construction using traditional and contemporary handbuiling (nonwheel) techniques with an emphasis on aesthetics. Individual projects to be determined by consultation with instructor. Kiln operation. Prerequisite: Art 3310 or consent of instructor. Art *4320. Advanced Wheelthrown Ceramics (3) F, S Advanced problems in ceramic design creating wheelthrown forms with an emphasis on aesthetics. Individual project to be determined by consultation with instructor. Kiln operation. Prerequisite: Art 3320 or consent of instructor. Art *4350. Small Metals/Jewelry III (3) F, S Development of advanced design concepts and procedures with emphasis on basic techniques and concept development in fabrication, casting, enameling, cold connectors, and surface enrichment. Prerequisite: Art 3350 or consent of instructor. Art *4400. Advanced Graphic Design (3) F, S Application of design theory and process to complex problems in visual communication. Emphasis is placed on research, analysis, problem definition, and the development of individual design solutions. Studio projects vary each term and will generally involve visual identity, indormation design, environmental graphics, publication design, and design for interactive media. Prerequisites: Art 3430, 3440, and 3450; or consent of instructor. Art 4410. Design Seminar (3) S Orientation to professional practice in visual communication including art direction and work situations, client relations, portfolio and resume preparation, self promotion, and career advancement. Course contents will be explored through reading, writing, lecture, discussion, critique, simulation, guest presentations, studio visits, and project work tailored to individual portfolio development. Prerequisite: Art 4400 or consent of instructor. May be taken concurrently with Art 4400. Art *4420. Advanced Digital Media (3) S To further develop personal expression in the visual arts using computer media through: aesthetic problem solving and additional development of digital media skills. There will be an emphasis on developing independence in the students and providing an opportunity for them to pursue their own area of interest while supplying the necessary feedback from the interaction of a class. Prerequisite: Art 3420 or consent of instructor. Art *4440. Interactive Media (3) F Students in this class will design and create interactive media products using the computer. Topics covered include the exploration of the aesthetics of using animation, hypertext, graphics, 3D rendering, and video in conjunction with sound to develop effective interactive visual communication. Prerequisite: Art 3420 or consent of the instructor. Art *4460. Advanced Illustration (3) F, S Development of individual approaches to advanced problems in illustration. Emphasis is placed on the formulation of visual metaphor, articulation of form, and on professional practices. Studio projects vary each term and will generally involve editorial, reportorial, scientific, advertising, and instructional problems in pictorial communication. Prerequisite: Art 3460 or consent of instructor. Art *4540. Weaving III (3) F, S Advanced weaves on 8-harness looms, mixed media projects, natural dyeing, painted warps, and basketry. Prerequisite: Art 3540 or consent of instructor. Art *4550. Commercial Photography (3) 5 (even) The design and production of a professional quality photographic portfolio for use in seeking employment in commercial photography. Studio lighting, digital medial and new technology, business practices, freelance photography, and other employment opportunities will be explored. Prerequisite: Art 3420, Art 3750 or consent of instructor. Art *4600. Painting III (3) 5 Emphasis on developing independence in the painting student and to provide an opportunity for them to pursue their own area of interest in painting while providing the necessary feedback from the interaction of a class. Prerequisite: Art 3600 or consent of instructor. Art *4650. Watercolor Painting HI (3) F An advanced class in watercolor painting emphasizing focused personal direction, independent exploration and research, lively critique participation, and refinement of technical and conceptual skills. Prerequisite: Art 3650 or consent of instructor. Art *4700. Sculpture III (3) S Advanced individual problems in selected areas of concentration; research and development of conceptual, technical, and methodological concerns. Prerequisite: Art 3700 or consent of instructor. Art *4750. Experimental Photography (3) F (odd years) Experimental photographic alternatives to the traditional methods of photographic image making. Emphasis will be placed on using the camera, darkroom techniques and digital and emerging technology in ways that will give the students the mind-set and ability to push the limits of the medium. Prerequisite: Art 2150, Art 3420 or consent of instructor. Art 4830. Directed Readings (1-3) F, S Individually chosen readings on specialized topic supervised by a faculty member. Prerequisite: Consent of faculty supervisor prior to registration. Art *4850. Advanced Photography Seminar (3) S An intensive project and discussion-oriented course. Emphasis will be on development of ideas, portfolio preparation, fine-tuning technique, and critical evaluation. Prerequisite: Senior level photography major or consent of instructor. Art 4890. Cooperative Work Experience (1-2, 6 maximum) F, S An opportunity for students to receive academic credit for faculty approved on-the-job learning experiences within certain visual arts areas of emphasis. C/NC only. Prerequisites: By instructor approval only and previous or concurrent enrollment in art classes as specified by each area of emphasis. Art 4900. Individual Studies (1-3) F, S Individual studies in selected areas of emphasis. Open to juniors and seniors by instructor approval only. Art 4920. Short Courses, Workshops, Institutes and Special Programs (1-3) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When the number is used it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript. Art 4930. Teaching Assistantship Experience (2) Designed for students who wish to gain teaching experience for graduate school. By observation and participation with the instructor, students will learn how a basic art course is designed and taught. Prerequisites: Student must be in the B.F.A or 55-57 Hour art program and have instructor consent. Art 4990. BFA. Seminar (3) S Emphasis on portfolio preparation and professional writing skills pertinent to the completion of the BFA Thesis Exhibit and future career applications. Students work on the development and synthesis of ideas, and fine tune relevant artistic and critical evaluation skills. During this course students will be required to produce new work for the BFA Thesis Exhibit. Prerequisite: Senior level student who has been accepted into the BFA program. *May be repeated for credit 3 times. PROFILE enrollment student affairs academic info degree req GENED : • ■,■ ■. •■'. ■ FYE HNRS BIS LIBSCI INTRD MINORS Applied Science & Technology CEET CS MFET/MET CMT CDGT PRENGR AUTOSV/AUTOTC IDT SST TBE Arts & Humanities COMM ENGL FORLNG DANCE MUSIC THEATR ART- MBA MPACC/ACCTNG BUSADM FIN LOM MGMT MKTG ECON/QUANT IS&T Education MEDUC CHFAM ATHL/AT HEALTH/NUTRI PE/REC EDUC CLS DENSCI PARAMD HTHSCI HAS/HIM NURSNG RADTEC DMS NUCMED RADTHR RESTHY tience BOTANY CHEM GEOSCI MATH/MATHED MICRO PHSX ZOOL Social & Behavioral fences MCJ/CJ ECON GEOGR HIST POLSC PHILO PSYCH SOCLWK GERONT SOCLGY ANTHRO AEROSP MILSCI NAVSCI Weber State University 2001-2002 Catalog Weber State University 2001-2002 Catalog