Music Music General Information 112. Music Theory I (4) Continuation of Music 111. * 130. Private Instruction (1) Keyboard. * 131. Private Instruction (1) Voice. * 132. Private Instruction (1) Woodwind instruments. * 133. Private Instruction Brass instruments. * 134. Private Instruction String instruments. * 135. Private Instruction Percussion instruments. (1) (1) (1) * 140. Weber State A Cappella Choir (1) Membership by audition or consent of instructor. (Evening only.) * 143. Weber State Singers (1) A select performing ensemble performing many musical styles (folk, sacred, pop, serious secular, Broadway with choreography). By audition only. * 144. Lyric Theatre (1-2) Study of traditional and contemporary operatic literature through rehearsal and performance of complete operas and musical comedies. Membership by consent of instructor. (May be repeated for credit) Also listed under Theatre 144. * 145. Vocal Ensemble (1) Training in small vocal groups such as trios, quartets, and sextets. * 146. Weber State College Concert Choir (1) Membership by audition or consent of instructor. * 147. Sound System (1) A select performing ensemble preparing a wide variety of musical styles. By audition only. * 148. Brass Ensemble (1) Training in performance for brass chamber music groups. * 150. Symphonic Band (1) Membership by audition or consent of instructor. Emphasis is on the study and prepartion of modem symphonic band literature. * 151. Pep Band (1) Plays at athletic functions using contemporary jazz, rock, and popular music. By audition. * 152. Wind Ensemble (1) Membership by audition or consent of instructor. Emphasis is on study and performance of literature for selected wind and percussion ensembles of varying size. Participants may be required to participate in symphonic band. * 153. Jazz Ensemble (1) Performance in modem stage band, of instructor. Membership by audition or consent * 154. Marching Band (2) By audition and/or consent of the director to students on flags, rifles, and band instruments. * 155. Instrumental Ensemble (1) Training in instrumental chamber ensembles such as trios, quartets, quintets, and sextets. * 157. Keyboard Ensemble (1) Training in piano ensemble situations to develop fluency in reading. * 160. W. S. C. Symphony Orchestra (1) Membership by audition or consent of instructor. Symphonic instru- mention with participation in concerts, oratorio, and opera. * 161. Theatre Orchestra (1-2) Membership by audition or consent of instructor determined by die music production being presented. 169. Music Essentials (3) For prospective elementary school teachers. Rudiments of music, sight singing, notation, ear training, dictation, and keyboard harmony. * 173. Private Instruction (3) All performance areas. One hour instruction/week Minimum of 18 hours/week practice required. One-half hour special assignment By consent of instructor only. May be taken for credit up to three times in any area of specialty. * 213. Group Keyboard Instruction (1) Principles and procedures fiom beginning to advanced instruction with stress on reading skill, technical facility, and sound musicianship. * 214. Group Keyboard Instruction (1) Continuation of Music 213. * 215. Group Keyboard Instruction (1) Continuation of Music 214. 216. Vocal Workshop (1) Development of the singing voice with special attention to freedom of tones, purity of vowels, interpretation, diction, and flexibility. 219. Basic Conducting (2) Score reading, basic conducting movements, clef study, and transposition. Prerequisite: Music 112. * 230. Private Instruction (1) Keyboard. * 231. Private Instruction (1) Voice. * 232. Private Instruction (1) Woodwind instruments. * 233. Private Instruction (1) Brass instruments. * 234. Private Instruction (1) String instruments. * 235. Private Instruction Percussion instruments. (1) 250abc. Instrumental Workshop (1 each) A practical and analytical approach to teach and play percussion instruments. 251abc. Instrumental Workshop (1 each) A practical and analytical approach to teach and play brass instruments. 252abc. Instrumental Workshop (1 each) A practical and analytical approach to teach and play woodwind instruments. 253abc. Instrumental Workshop (1 each) A practical and analytical approach to teach and play string instruments. 254. Instrumental Techniques for Choral Majors (2) A practical and analytical approach to teaching and playing string, wind and percussion instruments. For Choral Majors only. 260. Music Theory n (4) Continuation of Theory L Includes altered, borrowed, and other unique chord sonorities; advanced modulation; 20th century compositional techniques; analysis; and projects which will explore application of theoretical concepts. Prerequisite: Music 112 or equivalent 261. Music Theory II (4) Continuation of Music 260. 262. Music Theory II (4) Continuation of Music 261. 270. Basic Accompanying (3) To learn the art of accompaniment and become knowledgeable about repertoire, style, and improve sight reading. * 273. Private Instruction (3) All performance areas. One hour instruction/week Minimum of 18 hours/week practice required. One-half hour special assignment By consent of instructor only. May be taken for credit up to three times in any area of specialty. 284. Form and Analysis (3) A study of basic musical form with particular emphasis on the most important contrapuntal and homophonic styles fiom the Baroque through 19th Century. Study will include harmonic and structural analysis. Must be enrolled in or have completed Music 261. 289. Cooperative Work Experience (1-9) Open to all students in the Music Area who meet the minimum cooperative work experience requirements of the department The course objective for each student will be developed between the student, the department, and a suitable employer providing the opportunity for an on-the-job experience. Evaluation of course participants will be shared between the employer, student, and the Music Area. Grade and amount of credit will be determined by the Music Area. May be repeated to a maximum of 9 credits. 292. Short Courses, Workshops, Institutes, and Special Programs (1-6) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When the number is used, it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript * 300. Private Instruction (1) Individual lessons, vocal or instrumental. For those not pursuing a major or minor in music. 301. Music History and Literature (3) Historical and biographical approaches to the study of music history and literature with pertinent musical examples. Three periods of lecture and one period lab per week Prerequisite: Music 112. 302. Music History and Literature (3) Continuation of Music 301. Prerequisite: Music 112. 303. Music History and Literature (3) Continuation of Music 302. Prerequisite: Music 112. 305. Counterpoint (2) Eighteenth century polyphonic techniques including the five contrapuntal species, formal processes, analysis, and compositional application of concepts studied. Prerequisite: Music 260 or equivalent 307. Jazz: From Then Till Now (3) A study of the history of jazz fiom its beginning to the present. 308. Choral Literature (3) A survey of major choral masterworks of all historical periods. 310. Keyboard Literature (3) Keyboard literature to acquaint the student with historical and stylistic periods of music. 311. Keyboard Literature (3) Continuation of Music 310. 312. Keyboard Pedagogy (3) Comprehensive study of performance and teaching pedagogy and supervised private teaching. Prerequisite: Music 311. Student Services Interdisc. Programs Allied Health Sciences Arts & Humanities Business & Economics Education Natural Sciences Social Sciences Technology 90 91 Continuing Education