Music Music 149. Chamber Choir (1) A highly select group of approximately 24 singers performing the entire range of small choir literature. By audition only. *150. Symphonic Band (1) A, W, S Membership by audition or consent of instructor. Emphasis is on the study and preparation of modem symphonic band literature. *151. Pep Band (1) A, W Plays at athletic functions using contemporary jazz, rock, and popular music. By audition. *152. Wind Ensemble (1) A, W, S Membership by audition or consent of instructor. Emphasis is on study and performance of literature for selected wind and percussion ensembles of varying size. Participants may be required to participate in symphonic band. *153. Jazz Ensemble (1) A, W, S Performance in modem stage band. Membership by audition or consent of instructor. *154. Marching Band (2) A By audition and/or consent of the director to students on flags, rifles, and band instruments. *155. Instrumental Ensemble (1) A, W, S Training in instrumental chamber ensembles such as trios, quartets, quintets, and sextets. *157. Keyboard Ensemble (1) A, W, S Training in piano ensemble situations to develop fluency in reading. *160. W. S. U. Symphony Orchestra (1) A, W, S Membership by audition or consent of instructor. Symphonic instrumentation with participation in concerts, oratorio, and opera. *161. Theatre Orchestra (1-2) Membership by audition or consent of instructor. Instrumentation determined by the music production being presented. 169a. Music Essentials: Piano (3) Su, A, W, S For prospective elementary school teachers. Basic elements of music reading and music theory through keyboard performance. 169b. Music Essentials: Guitar (3) Su, A, W, S For prospective elementary school teachers. Basic elements of music reading and music theory through guitar performance. *173. Private Instruction (3) Su,A, W, S All performance areas. One hour instruction/week. Minimum of 18 hours/week practice required. One-half hour special assignment. By consent of instructor only. May be taken for credit up to three times in any area of specialty. 179. Music Convocation (1) One year (3 quarters) required recital/concert attendance at 24-30 events/year (8-10/ quarter), to be selected by the Department of Performing Arts. A minimum of six recital events will be scheduled during daytime hours. The "T" grade will be used until the completion of three quarters. 201. Survey of World Music (5) A historical survey of the development of music through study of stylistic periods and music of world cultures. For music majors and minors. 210a. Music Theory II (2) A Continuation of Theory I. Includes altered, borrowed, and other unique chord sonorities; advanced modulation; 20th century compositional techniques; analysis; and projects which will explore application of theoretical concepts. Prerequisite: Music 110c or equivalent. 210b. Music Theory II (2) W Continuation of Music 210a. 210c. Music Theory II (2) S Continuation of Music 210b. 211a. Ear-Training & Sight Singing II (2) A Continuation of Ear-Training & Sight-Singing I. Development of more advanced listening skills and of ability to recognize and correct performance errors. Prerequisite: Music 11 lc or equivalent. 211b. Ear-Training & Sight Singing II (2) W Continuation of Music 211a. 211c. Ear-Training & Sight Singing II (2) S Continuation of Music 211b. 213, 214, 215. Group Keyboard Instruction II (1) A, W, S Continuation of Music 115 with emphasis on advanced reading, further development of technical facility and expanded concepts of musicianship. Prerequisite: Music 115 or placement by audition; Music 110 and 111c. 216. Vocal Workshop (1) A, W, S Development of the singing voice with special attention to freedom of tones, purity of vowels, interpretation, diction, and flexibility. 219. Basic Conducting (2) Score reading, basic conducting movements, clef study, and transposition. Prerequisite: Music 110b. *230. Private Instruction (1) Su, A, W, S Keyboard. *231. Private Instruction (1) Su, A, W, S Voice. *232. Private Instruction (1) Su, A, W, S Woodwind instruments. *233. Private Instruction (1) Su, A, W, S Brass instruments. *234. Private Instruction (1) Su, A, W, S String instruments. *235. Private Instruction (1) Su, A, W, S Percussion instruments. 250ab. Instrumental Workshop (1 each) A practical and analytical approach to teaching and playing percussion instruments. 250c. Instrumental Workshop (1) Practicum experience in percussion instruments, to include selection and preparation of appropriate repertoire. Prerequisite: MUS 250ab. 251ab. Instrumental Workshop (1 each) A practical and analytical approach to teaching and playing brass instruments. 251c. Instrumental Workshop (1) Practicum experience in brass instruments, to include selection and preparation of appropriate repertoire. Prerequisite: MUS 25 lab. 252ab. Instrumental Workshop (1 each) A practical and analytical approach to teaching and playing woodwind instruments. 252c. Instrumental Workshop (1) Practicum experience in woodwind instruments, to include selection and preparation of appropriate repertoire. Prerequisite: MUS 252ab. 253ab. Instrumental Workshop (1 each) A practical and analytical approach to teaching and playing string instruments. 253c. Instrumental Workshop (1) Practicum experience in string instruments, to include selection and preparation of appropriate repertoire. Prerequisite: MUS 253ab. 254. Instrumental Techniques for Choral Majors (2) A practical and analytical approach to teaching and playing string, wind and percussion instruments. For Choral Majors only. 270a. The Principles of Piano Accompanying (1) To learn the art of accompaniment, to become knowledgeable about repertoire and style, and to improve sight reading. Prerequisite: Completion of piano proficiency examination. 270b. The Principles of Piano Accompanying (1) Continuation of 270a. 270c. The Principles of Piano Accompanying (1) Continuation of 270b. *273. Private Instruction (3) Su, A, W, S All performance areas. One hour instruction/week. Minimum of 18 hours/week practice required. One-half hour special assignment. By consent of instructor only. May be taken for credit up to three times in any area of specialty. 279. Music Convocation (1) One year (3-quarters) required recital/concert attendance at 24-30 events/year (8-10/ quarter), to be selected by the Department of Performing Arts. A minimum of six recital events will be scheduled during daytime hours. The "T" grade will be used until the completion of three quarters. 284. Form and Analysis (3) A study of basic musical form with particular emphasis on the most important contrapuntal and homophonic styles from the Baroque through 19th Century. Study will include harmonic and structural analysis. Must be enrolled in or have completed Music 210b. 289. Cooperative Work Experience (1-9) Open to all students in the Music Area who meet the minimum cooperative work experience requirements of the department. Provides academic credit for on-the-job experience. Grade and amount of credit will be determined by the department. May be repeated to a maximum of 9 credits. 292. Short Courses, Workshops, Institutes, and Special Programs (1-6) (As needed) Consult the quarterly class schedule for the current offering under this number. The specific title and credit authorized will appear on the student transcript. PD292S. Community Service (3) Students will receive an overview of community service and explore opportunities for service learning in the community. Five preparatory workshops (first week only) followed by 55 hours of approved community service. *300. Private Instruction (1) Su, A, W, S Individual lessons, vocal or instrumental. For those not pursuing a major or minor in music. 301. Music History and Literature (3) A Historical and biographical approaches to the study of music history and literature with pertinent musical examples. Three periods of lecture and one period lab per week. Prerequisite: Music 110c and 201. 302. Music History and Literature (3) W Continuation of Music 301. Prerequisite: Music 110c. 303. Music History and Literature (3) S Continuation of Music 302. Prerequisite: Music 110c. 305. Counterpoint (2) Eighteenth century polyphonic techniques including the five contrapuntal species, formal processes, analysis, and compositional application of concepts studied. Prerequisite: Music 210a or equivalent. 308. Choral Literature (3) A survey of major choral masterworks of all historical periods. 310. Keyboard Literature (3) A Keyboard literature to acquaint the student with historical and stylistic periods of music. 311. Keyboard Literature (3) W Continuation of Music 310. 312. Keyboard Pedagogy (3) Comprehensive study of performance pedagogy and supervised private teaching. Student Services Science 118 119