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Show hours: 2, 3, 22, 24, 25, 26, 34, 61, 65, 121, 151, 160, 165. This makes a total of 48 hours, 30 of which are lower division and 18 of which are upper division. Art 181, a teaching methods class, is also required. Students wishing a teaching minor in art are required to take Art 1, 11 or 13, 20, 30, 60, 160 or 165, 121 or 122, 185 or 186 or 187. This is a 24 credit hour requirement, 15 of which are lower division and 9 of which are upper division. Students wishing commercial art majors are required to take a core course including the following: 1, 18, 20, 21, 22, 24, 30, 34, 51, 60, 65, 185, 186, 187 for a total of 42 hours. The field of emphasis will determine the additional required classes. In addition to the core program students emphasizing illustration must take Art 25, 26, 62, 66, 67, 121, 122, 123, 141, 142, 143, 151, 160, 165. This totals 84 credit hours for the major. In addition to the core program students emphasizing advertising design must take Art 13, 14, 11 or 15, 16, 31, 32, 46, 112, 113, 114, 117, 190, 191 for a total of 84 credit hours. Students who are taking a departmental art major are required to take a core program consisting of Art 1, 20, 21, 22, 30, 32, 34, 51, 60, 61, 65, 185, 186, 187. The field of emphasis of an additional 18 hours of upper division work may be selected from painting, printmaking, ceramics, or drawing for a total of 60 hours. Courses of Instruction 1. Introduction to Ceramics—Beginning Course in ceramics. Emphasis on techniques of wheel throwing with an introduction to hand building forms with fireclay. Appreciation of ceramic design. Shop, care and procedures. AWS (3). Staff 2. Ceramic Design—Continuation of Art 1 with emphasis on throwing skills and designs suited to ceramic form. Introduction to clay decoration and glazing techniques. Kiln stacking and firing. A W S (3). Staff 4. Handbuilding Techniques (Formerly Ceramics Sculpture Design)—Beginning course in the making of ceramic forms using hand building techniques such as coil, slab, pinching, etc. Large projects will be encouraged. Introduction to decoration with slips and textures. Shop care, kiln stacking and firing. AWS (3). Staff 5. Introduction to Art—Underlying principles of arrangement and other factors determining the quality of a work of art. AWS (3). Staff 11. Pen Lettering—Letter structure and alphabet drill with speedball type pens. AWS (3). Staff 104 13. Showcard Lettering—Elements of free-hand showcard lettering. AWS (3). Staff 14. Showcard Design—Poster and showcard design, arrangement of copy, and use of variety of alphabets. Prerequisite: Art 13 or equivalent. AWS (3). Staff 15. Lettering in Oil—Banner, glass and other surfaces, with oil and powder media. Quill and Fitch brushes. AWS (3). Collett, Groberg 16. Lettering for Reproduction—Technique of lettering for reproduction in magazine and newspaper advertising. A (3). Groberg 18. Advertising Production (Formerly Art 21)—Commercial methods of visualization plate-making and typography in advertising layout and production, printing. A (3). Bryner, Collett 20. Basic Drawing (Formerly Art 41)—Study of basic structure, light and shade. For all students who wish to draw but are not interested in art as a major field. AWS (3). Staff 21. Drawing—Continued drawing, with a variety of media, with emphasis on line, value, and design. Prerequisite: Art 20. W S (3). Staff 22. Drawing—Further exploration of drawing using line, form and value. Various media drawing. Prerequisite: Art 21. W S (3). Staff 24. Constructive Anatomy (Formerly Art 44, Artistic Anatomy)—Study of bone and muscle structure in the human body. A (3). Bryner 25. Life Drawing Design—Drawing from the figure. Prerequisite: Art 24. A W (3). Bryner 26. Head Drawing—Analysis of head structure, and drawing from life. Prerequisites: Art 20, 24. S (3). Collett 29. Perspective (Formerly Art 43)—Parallel, oblique, and cylindrical perspective adapted to needs of art and architecture students. A (3). Groberg 30. Basic Design—Accepted principles and theories of design. AWS (3). Van Wagoner 31. Basic Design—Organization of plastic elements in three-dimensional design. AWS (3). McBeth 32. Design and Color (Formerly Art 130)—Theory and use of color, especially as applied to design. AWS (3). Van Wagoner 105 |
