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Show 130. Private Instruction (1) Piano/Organ. 131. Private Instruction (1) Voice. 132. Private Instruction (1) Woodwind Instruments. 133. Private Instruction (1) Brass Instruments. 134. Private Instruction (1) String Instruments. 135. Private Instruction (1) Percussion Instruments. 140. Weber State A Cappella Choir (1) Membership by audition or consent of instructor. (Evening only.) 143. Weber State Singers (1) Membership by audition or consent of instructor. 144. Lyric Theatre (1-2) Study of traditional and contemporary operatic literature through rehearsal and performance of complete operas and musical comedies. Membership by consent of instructor. (May be repeated for credit.) Also listed under TA144. 145. Vocal Ensemble (1) Training in small vocal groups such as trios, quartets, and sextets. 146. Weber State College Concert Choir (1) Membership by audition or consent of instructor. 147. Choralition (1) A select performing ensemble preparing a wide variety of musical styles (i.e. folk, vocal jazz, sacred, and serious secular music). By audition only. 148. Brass Ensemble (1) Training in performance for brass chamber music groups. 150. Syphonic Band (1) Membership by audition or consent of instructor. Emphasis is on the study and preparation of modern symphonic band literature. 151. Pep Band (1) Plays at athletic functions using contemporary jazz, rock and popular music. By audition. 153. Jazz Ensemble (1) Performance in modern stage band. Membership by audition or consent of instructor. 154. Marching Band (2) By audition and/or consent of the director to students on flags, rifles and band instruments. 155. Instrumental Ensemble (1) Training in instrumental chamber ensembles, Music such as trios, quartets, quintets, and sextets. 157. Piano Ensemble (1) Training in piano ensemble situations to develop fluency in reading. 160. W.S.C. Symphony Orchestra (1) Membership by audition or consent of instructor. Symphonic instumentation with participation in concerts, oratorio, and opera. 161. Theatre Orchestra (1-2) Membership by audition or consent of the instructor. Instrumentation determined by the music production being presented. 169. Music Essentials (3) For prospective elementary school teachers. Rudiments of music, sight-singing, notation, ear training, dictation, and keyboard harmony. 173. Private Instruction (3) All performance areas. One hour instruction /week. Minimum of 18 hours/week practice required. One-half hour special assignment. By consent of instructor only. May be taken for credit up to three times in any area of specialty. 213. Group Piano Instruction (1) Principles and procedures from beginning to advanced instruction with stress on reading skill, technical facility, and sound musicianship. 214. Group Piano Instruction (1) Continuation of Music 213. 215. Group Piano Instruction (1) Continuation of Music 214. 216. Vocal Workshop (1) Development of the singing voice with special attention to freedom of tones, purity of vowels, interpretation, diction, and flexibility. 219. Basic Conducting (2) Score reading, basic conducting movements, clef study, and transpositions. 230. Private Instruction (1) Piano/Organ. 231. Private Instruction (1) Voice. 232. Private Instruction (1) Woodwind instruments. 233. Private Instruction (1) Brass instruments 234. Private Instruction (1) String instruments 235. Private Instruction (1) Percussion Instruments 250. Instrumental Workshop (2) 251. Instrumental Workshop (2) A practical and Analytical approach to teach and play brass instruments. 252. Instrumental Workshop (2) A practical and analytical approach to teach and play woodwind instruments. 253. Instrumental Workshop (2) A practical and analytical approach to teach and play string instruments. 260. Theory II (3) Continuation of Theory I. Includes contrapuntal techniques, advanced modulation, altered, borrowed and unique chord sonorities, larger music forms, 20th century compositional techniques, analysis, and projects which will explore application of materials covered. Prerequisite: Music 112 or equivalent. (Includes 2 hr. lab). 261. Theory II (3) Continuation of Music 260. 262. Theory II (3) Continuation of Music 261. 263. Theory Lab II (2) Continuation of Theory Lab I. Content includes advanced melodic dictation, ear training, score reading, and sight-singing. Prerequisite: Music 115 or equivalent. 264. Theory Lab II (2) Continuation of Music 263. (2) 265. Theory Lab II Continuation of Music 264 A practical and analytical approach to teach and play percussion instruments. 270. Basic Accompanying (3) To learn the art of accompaniment, and become knowledgeable about repertoire, style and improve sight reading. 273. Private Instruction (3) All performance areas. One hour instruction/week. Minimum of 18 hours/week practice required. One-half hour special assignment. By consent of instructor only. May be taken for credit up to three times in any area of specialty. 289. Cooperative Work Experience (1-9) Open to all student in the Music Department who meet the minimum Cooperative Work Experience requirements of the department. The course objective for each student will be developed between the student, the department, and a suitable employer providing the opportunity for an on-the-job experience. Evaluation of course participants will be shared between the employer, student, and the department. Grade and amount of credit will be determined by the department. Music 292. Short Courses, Workshops, Institutes and Special Programs (1-6) In order to provide flexibility and to meet many different needs, a number of specific offerings are possible using this catalog number. When the number is used it will be accompanied by a brief and specific descriptive title. The specific title with the credit authorized for the particular offering will appear on the student transcript. 300. Private Instruction (1) Individual lessons— vocal or insturmental. For those not pursuing a major or minor in music. HU301. Great Epochs in Music (3) Historical and biographical approaches to the study of Renaissance, Barogue, Classical, Romantic and Modern periods with pertinent musical examples. HU302. Great Epochs in Music (3) Continuation of HU301. HU303. Great Epochs in Music (3) Continuation of HU302. 307. Jazz: From Then Till Now (3) A study of the history of jazz, from its beginning to the present. 308. Choral Literature (3) A survey of major choral masterworks of all historical periods. 310. Piano Literature (3) Piano literature to acquaint the student with historical and stylistic periods of music. 311. Piano Literature (3) Continuation of Music 310. 312. Piano Pedagogy (3) Comprehensive study of performance and teaching pedagogy and supervised private teaching. Prerequisite: Music 311. 313. Piano Pedagogy (3) Continuation of Music 312. 314. Practicum in Choral Conducting (3) Advanced conducting laboratory which includes conducting musical groups in the public schools. Prerequisite: Music 219. 315. Practicum in Instrumental Conducting (3) Advanced conducting laboratory which includes conducting musical groups in the public schools. Prerequisite: Music 219. 316. Instrumental Repertoire (3) Orchestral. Band, Small Ensemble, and Solo material. 317. Band Arranging (3) Applied orchestration and arranging problems found in public shool teaching. Prerequisite: 262 or equivalent. 172 173 ^T^enpfiii tnformatlon Urn Recorc s Registrar Composite I ^nterteptr iPrjigfams MM MSljiejre^ Arts & Humanitie: 1 business i Economic? ■miu bm f LUUtdUUn Triaj^ar Spiepnps Social ^IsSences Torhnnlnn rtJcnffOTitj i^nntinn ru uu III Iw Hi Education |
